How do you photograph the past in the present, through the fauna?
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How do you photograph the past in the present, through the fauna?
I have always been particularly fascinated by the film ‘Identification of a woman’ by Michelangelo Antonioni. I made a work featuring stills of a particular scene that I think is consumate Antonioni and cinema. An apt lead in for The Plague of Fantasies.
Some new panoramas from Berkeley Square (same stitch, blended with CS3):
Different stitch, from the other side:
Companion to the Secret Adventures of Lady Anne Barnard exhibition. First foray into artist’s book, and will take the lessons I learnt from this project to heart for the next book project.
Uploaded my first ever (2002) video project onto Vimeo. Three videos, should be seen at the same time, so I will upload a composite soon.
A place my mind returns to often, and preoccupation with work to come.
From my solo exhibition entitled The Secret Adventures of Lady Anne Barnard, 2007.
Older work from between 2000-2006